Melody Art
Melody Art
Fine art giclee print
Description: Signed Giclée print.
Edition: Open
Original Painting Information
Description: Original oil and acrylic on paper.
Image size: 10.5 h x 14 w in
26.7 h x 36 w cm
Frame: 1.2 in gold frame
18.7 h x 22.3 w in
47.5 h x 56.6 w cm
mount 3 in 7.5 cm
Code:: MA28
All work includes delivery to UK mainland
© 2004 to 2009 Melody Art - All images and text - All rights reserved - Prices correct at the time of publishing
English country garden - Alresford
Original acrylic painting on paper
The Fulling Mill can be seen as you walk from the Town centre along the Itchen River.
This is a lovely walk and is part of the character of the town. For information
on the Fulling Mill please follow the link

There is evidence of Neolithic, Bronze Age and Iron Age occupati on on numero us sites
in the Alresfo rd area, with a Roman or Romano-British site on nearby Fobdo wn and
to the south-east of the town in Bramdea n. There is evidence of a grant to the Church
at Winches ter someti me before the 9th century, which became known as the Liberty
of Alresfor d. The settleme nt was listed in the Domesd ay Book.
New Alresfo rd was founded in the 12th/13 th century, the idea originally being that
of Henri de Blois, the Bishop of Winches ter and brother of King Stephen of England.
The design of the T-shaped town (original ly named Novum Forum) was followed by de
Blois' success or Godfrey de Lucy. Alresfo rd was one of the Bishop's six new towns
and was his most profitab le plantatio n- his palace was situated in nearby Bishop
Sutton, perhaps less than a mile distant.T he medieval stone bridge he built at this
time is still in place. This expansi on also involved the construc tion of the Great
Weir between New Alresfo rd and Old Alresfor d, creating Old Alresfo rd Pond. This remarka ble
period in the town's history even included the construc tion of one of the oldest
canal systems in England, based on the River Itchen.
New Alresfo rd quickly became establish ed as a prospero us market town, focuss ed on
the wool, leather, and the other products from sheep and cattle- in the 14th Century
Alresfo rd was one of the top five Sheep market towns of England. Alresfo rd sent two
members to parliame nt until the populati on was reduced by the Black Death. The town
quickly picked up the label as a dangero us place to live due to the uncomm only frequent
fires which razed it to the ground- much of the medieval town was destroy ed by a
fire in 1689 that destroy ed 117 houses in the town as well as the Church and Market
House. Much of the town was rebuilt in the 18th century, with many of the Georgian
buildings remaini ng today.
In the spring of 1644, the Battle of Cheriton took place on Cheriton Down, reaching
the outskirts of Alresfor d. Defeated Royalists set fire to houses in the town as
they withdre w.
A turnpike linking London to the Channel ports (now the A31) was built in 1753, passing
through the town.
During the late 18th century, Alresfo rd Cricket Club was one of the stronge st sides
in England.
Alresfo rd was the birthpla ce of artist Graham Ovenden and novelist and dramatist
Mary Russell Mitford (1787-1855) who lived at 37 Broad street until the age of ten.
Furtherm ore, the noted actor-manager Francis Robert Benson (1866-1939) spent his
childho od in nearby Langton House. The cricket comment ator John Arlott resided in
Alresfo rd during the 1950s and 60s. Sky Sports' Jeff Stelling is also a resident,
living on Rosebe ry Road.
From the medieval period, the fulling of cloth was often undertak en in a water mill,
known as a fulling mill (also as walk mills or tuck mills). In Wales, a fulling mill
is a pandy. In these, the cloth was beaten with wooden hammer s, known as fulling
stocks. Fulling stocks were of two kinds, falling stocks (operati ng vertically ),
used only for scourin g, and driving or hanging stocks. In both cases the machine ry
was operated by cams on the shaft of a waterw heel or on a tappet wheel, which lifted
the hammer.
Driving stocks were pivotted so that the 'foot' (the head of the hammer) struck the
cloth almost horizont ally. The stock had a tub holding the liquor and cloth. This
was somewh at rounded on the side away from the hammer, so that the cloth gradually
turned, ensuring that all parts of it were milled evenly. Howeve r, the cloth was
taken out about every two hours to undo plaits and wrinkles. The 'foot' was somewh at
triangul ar in shape, with notches to assist the turning of the cloth.