Melody Art
Melody Art
Original Painting Information
Description: acrylic on paper
Price: SOLD
Code: MA26
Fine art Giclée print
Description: Signed Giclée Print
Edition: Open
All work includes delivery to UK mainland
© 2004 to 2009 Melody Art - All images and text - All rights reserved - Prices correct at the time of publishing
The Fulling Mill - Alresford
Original acrylic painting on paper
The Fulling Mill can be seen as you walk from the Town centre along the Itchen River.
This is a lovely walk and is part of the character of the town. For information
on the Fulling Mill please follow the link

There is evidence of Neolithic, Bronze Age and Iron Age occupati on on numerous sites
in the Alresford area, with a Roman or Romano-British site on nearby Fobdown and
to the south-east of the town in Bramdea n. There is evidence of a grant to the Church
at Winchest er sometime before the 9th century, which became known as the Liberty
of Alresford. The settlement was listed in the Domesd ay Book.
New Alresford was founded in the 12th/13th century, the idea originally being that
of Henri de Blois, the Bishop of Winchest er and brother of King Stephen of England.
The design of the T-shaped town (originally named Novum Forum) was followed by de
Blois' success or Godfrey de Lucy. Alresford was one of the Bishop's six new towns
and was his most profitable plantatio n- his palace was situated in nearby Bishop
Sutton, perhaps less than a mile distant.T he medieval stone bridge he built at this
time is still in place. This expansi on also involved the constructi on of the Great
Weir between New Alresford and Old Alresford, creating Old Alresford Pond. This remarkab le
period in the town's history even included the constructi on of one of the oldest
canal systems in England, based on the River Itchen.
New Alresford quickly became establish ed as a prospero us market town, focussed on
the wool, leather, and the other products from sheep and cattle- in the 14th Century
Alresford was one of the top five Sheep market towns of England. Alresford sent two
members to parliament until the population was reduced by the Black Death. The town
quickly picked up the label as a dangero us place to live due to the uncommo nly frequent
fires which razed it to the ground- much of the medieval town was destroyed by a
fire in 1689 that destroyed 117 houses in the town as well as the Church and Market
House. Much of the town was rebuilt in the 18th century, with many of the Georgian
buildings remaining today.
In the spring of 1644, the Battle of Cheriton took place on Cheriton Down, reaching
the outskirts of Alresford. Defeated Royalists set fire to houses in the town as
they withdre w.
A turnpike linking London to the Channel ports (now the A31) was built in 1753, passing
through the town.
During the late 18th century, Alresford Cricket Club was one of the strongest sides
in England.
Alresford was the birthplace of artist Graham Ovenden and novelist and dramatist
Mary Russell Mitford (1787-1855) who lived at 37 Broad street until the age of ten.
Furthermo re, the noted actor-manager Francis Robert Benson (1866-1939) spent his
childhood in nearby Langton House. The cricket commenta tor John Arlott resided in
Alresford during the 1950s and 60s. Sky Sports' Jeff Stelling is also a resident,
living on Rosebery Road.
From the medieval period, the fulling of cloth was often undertak en in a water mill,
known as a fulling mill (also as walk mills or tuck mills). In Wales, a fulling mill
is a pandy. In these, the cloth was beaten with wooden hammers, known as fulling
stocks. Fulling stocks were of two kinds, falling stocks (operating vertically ),
used only for scouring, and driving or hanging stocks. In both cases the machine ry
was operated by cams on the shaft of a waterwh eel or on a tappet wheel, which lifted
the hammer.
Driving stocks were pivotted so that the 'foot' (the head of the hammer) struck the
cloth almost horizontall y. The stock had a tub holding the liquor and cloth. This
was somewh at rounded on the side away from the hammer, so that the cloth gradually
turned, ensuring that all parts of it were milled evenly. However, the cloth was
taken out about every two hours to undo plaits and wrinkles. The 'foot' was somewh at
triangular in shape, with notches to assist the turning of the cloth.